Want to try reading comics? Don’t know where to start? Want to try something different?
Wednesday is New Comics Day! Each week, The Comics Observer spotlights up to three brand new releases worthy of your consideration. Sometimes we list more on really good weeks. All of these have been carefully selected as best bets for someone who has never read comic books, graphic novels or manga before. They each highlight the variety and creativity being produced today. These are also great for those that haven’t read comics in awhile or regular readers looking to try something new.
While we can’t guarantee you’ll like what we’ve picked, we truly believe there’s a comic for everyone. If you like the images and descriptions below, click the links to see previews and learn more about them. You can often buy straight from the publishers or creators. If not, head over to your local comic book store, check out online retailers like Things From Another World and Amazon, or download a copy at comiXology, or the comics and graphic novels sections of the Kindle Store or NOOK store. Let us know what you think in the comments below or on Facebook.
(Please note these aren’t reviews. Recommendations are based on pre-release buzz, previews, and The Comics Observer‘s patented crystal ball. Product descriptions provided by publisher.)
Theodora is a perfectly normal duck. She may swim with a teacup balanced on her head and stay north when the rest of the ducks fly south for the winter, but there’s nothing so odd about that.
Chad, on the other hand, is one strange bird. Theodora quite likes him, but she can’t overlook his odd habits. It’s a good thing Chad has a normal friend like Theodora to set a good example for him.
But who exactly is the odd duck here? Theodora may not like the answer.
Sara Varon (Robot Dreams) teams up with Cecil Castellucci (Grandma’s Gloves) for a gorgeous, funny, and heartwarming examination of the perils and pleasures of friendship.
Ivan, who is plagued by terrible nightmares about chickens and rabbits, is a good dog — if only someone would notice. Readers accompany the stray as he navigates dog society, weathers pack politics, and surveys canine-human interactions.
Good Dog‘s story and pen-and-ink art are deceptively simple, but Chaffee uses the approachability of the subject matter as a device to explore topics such as independence, security, assimilation, loyalty, and violence. Preteen-and-up dog fanciers, especially, will warm to the well-meaning Ivan and his exploits with a motley assortment of Scotties, Bulldogs, and mutts. Chaffee combines illustrative gravitas with cartooning verve and creates a richly textured, dog’s-eye view of the world. The story is a rousing Jack London-esque adventure as well as a moral parable.
Good Dog marks the welcome return of alternative cartoonist Graham Chaffee, who, after his successful 1995 collection of short stories, The Most Important Thing and Other Stories, and his acclaimed1997 graphic novel The Big Wheels, took a detour to devote himself to the art of tattooing, before charging back with his new, beautifully conceived graphic novel.
Written and illustrated by Joe Sacco
Published by Metropolitan Books
“The images Sacco draws are so powerful that they burn deep into your retina and reconfigure how you see the world… Journalism displays Sacco at the top of his game.”—National Post (Toronto)
Over the past decade, Joe Sacco has increasingly turned to short-form comics journalism to report from conflict zones around the world. Collected here for the first time, Sacco’s darkly funny, revealing reportage confirms his standing as one of the foremost war correspondents working today. Journalism takes readers from the smuggling tunnels of Gaza to war crimes trials in The Hague, from the lives of India’s “untouchables” to the ordeal of Saharan refugees washed up on the shores of Malta. And in pieces never published before in the United States, Sacco confronts the misery and absurdity of the war in Iraq, including the darkest chapter in recent American history—the torture of detainees.
Vividly depicting Sacco’s own interactions with the people he meets, the stories in this remarkable collection argue for the essential truth in comics reportage, an inevitably subjective journalistic endeavor. Among Sacco’s most mature and accomplished work, Journalism demonstrates the power of our premier cartoonist to chronicle lived experience with a force that often eludes other media.